10 seconds, vertical 9:16, handheld selfie POV positioned low and close under/near the helicopter’s belly and skid area (physically safe distance, slightly off to the side of the landing zone; not directly under the rotor disc). Same white utility mountain helicopter as previous scenes (white fuselage, skid landing gear, external rack/basket vibe).
Character Lock (must obey): @konglingchao same face + same short black hairline; same orange technical hardshell; same black beanie; same colorful reflective goggles; same dark pants/boots/gloves. No narration, no dialogue, no subtitles, no on-screen text.
Camera standard: ALEXA 35 documentary look + smartphone selfie framing, 18–24mm equivalent, 24fps, 180° shutter; realistic handheld micro-jitter; strong backlight; natural lens flare; snow particles interact with lens (brief droplets/snow specks).
Color: cold high-contrast alpine daylight, deep blue sky, bright snow, orange jacket reads clean and natural (no oversaturation).
Sound (ambience only): rotor thump rapidly building, wind blast, snow grains pelting fabric, gear strap flapping, breathing; no speech.
0–2.5s (Approach / scale): Selfie close-up on @konglingchao goggle/hat line and orange shoulder in the foreground; above him, the helicopter belly and skid edge enter frame, growing larger; rotor blur visible at top edge; snow on the ground begins to lift in thin sheets.
2.5–6.5s (Landing shock / physics): As the helicopter descends, rotor wash drives a swirling ‘spindrift vortex’—snow erupts outward and curls around the skids; the camera instinctively dips and tilts as he braces; snow streaks diagonally past the lens, briefly veiling the scene but never as an impossible full-whiteout; sunlight punches through the snow cloud creating glittering particles and flare.