2.35:1 (Cinemascope), exactly 10 seconds. Real continuous street documentary footage on Philadelphia’s Kensington Avenue corridor near Allegheny Avenue (real place; under/near the Market–Frankford Line elevated structure). Winter daytime, overcast, cold gray natural light, damp pavement. Cold steel / slate palette with strong contrast and deep blacks, documentary realism (restrained, not stylized). Third-person handheld follow-cam (a documentary operator tracking from slightly behind/side), real micro-shake and footstep-driven sway, no gimbal-perfect stabilization. Predominantly long-lens compression (100–135mm equivalent) with shallow depth; all bystander faces must be unidentifiable (soft focus/occlusion/framing). No on-screen text, no UI, no timecode, no “REC,” no subtitles. Diegetic audio only.
WARDROBE LOCK (must not change):
• @konglingchao : the SAME matte black mid-length winter down jacket throughout, zipped halfway; black turtleneck covering the neck; dark straight-leg pants; black boots; clear eyeglasses.
• @konglingc.noirwander : charcoal/black hooded parka; dark scarf covering the neck; dark pants; black boots; hood up consistently.
ACTION & CUT PLAN (multi-shot within 10s, 6–8 cuts, continuous forward movement):
(0.0–1.2s) 135mm tele establishing: compressed view down Kensington Ave; elevated line columns and storefronts stacked; wet pavement shines; background pedestrians are unidentifiable blur.
(1.2–2.8s) 120mm tele: a homeless person sits near a stoop/storefront edge, bundled up; framing is respectful and distant, no exploitative close-up; faces around remain unidentifiable.