2.35:1, exactly 10 seconds. Same real Kensington area, overcast winter daylight, cold high-contrast documentary look. Third-person handheld retreat sequence; long-lens compression (100–135mm); operator walking backward carefully; natural shake and breath. No UI/text/subtitles.
Wardrobe lock unchanged.
Action & cuts (5–7 cuts, continuous timeline):
(0.0–2.4s) 120mm tele: @konglingchao in foreground, breathing faster; glasses visible; he checks behind once then forward; same black down jacket always.
(2.4–4.6s) 135mm tele: pressure behind implied by blurred shapes; not a chase, just looming presence.
(4.6–6.8s) 100mm tele: @konglingc.noirwander speaks into her phone while walking quickly; phone screen unreadable.
(6.8–8.6s) 85–100mm tele: they cut toward the Market–Frankford Line Allegheny Station vicinity (real landmark), staying in public sightlines with more traffic and people blur.
(8.6–10.0s) 135mm tele: siren sound grows nearer as they reach the busier corner—setting up police arrival in PART 7.
Dialogue (minimal, sync sound; keep roles exact):
• @konglingc.noirwander (English, into phone): “We’re at Kensington—two men are threatening us. We’re backing away. Please send police.”
Continuity lock: police arrival is immediate next; no time/location jump.
Negative: no UI/text; no music/narration/subtitles; no readable address; no violence; no weapons; no identifiable bystander faces.