{
"shot_number": "Shot_012",
"duration": "10s",
"audio_prompt": "[Dialogue]: ROLE_@dwsmssuhao : '该去找点吃的和水了。' (声音极轻，但在这死寂的环境中清晰可闻) [SFX]: 沉重的靴子拖沓声(Boot Scuffing)，生锈铁门被推开的刺耳吱呀声(Metal Creak/Squeak)作为转场音效。
Strictly No Music
",
"prompt": "跟随
镜头(Following Shot)。摄影机位于 ROLE_@dwsmssuhao 身后，跟随他走向通往楼下的铁皮门。ROLE_@dwsmssuhao 的背影显得孤寂而危险，他右手倒提着 `ROLE_@dwshjdadao`，刀尖随着步伐偶尔划过地面。他走向那扇锈迹斑斑的通往楼梯间的铁门。就在他伸出左手即将触碰门把手的瞬间，
镜头缓慢推近(Slow Push In)，逐渐将画面吞没在黑暗的门洞阴影中，形成自然的转场。教学楼顶层的开阔天台废墟，正午时分。宏观结构为标准的长方形混凝土平台，地面铺设有老旧的隔热层，但已大面积龟裂，缝隙中生长着枯黄的杂草。四周有锈蚀严重的铁丝网围栏，部分倒塌。背景是宏大的末日城市天际线，远处的高楼大厦如墓碑般矗立，多处冒着浓黑的滚滚烟柱(Thick Black Smoke)。影调严格遵循《釜山行》风格：整体呈现冷冽的青蓝色调(Cool Blue/Cyan Tone)，人为降低色彩饱和度(Desaturated)，保留极高的对比度(High Contrast)以突出物体表面的肮脏质感。光线为头顶烈日(Harsh Overhead Sunlight)，但被滤镜渲染得苍白且带有压迫感，阴影深重死黑。空气中弥漫着肉眼可见的热浪扭曲(Heat Haze)和细微的尘埃粒子。场景属于Scenario B：除特指角色 ROLE_@dwsmssuhao 外，天台上空无一人，死一般的寂静，只有远处偶尔传来的风声。",
"technical_parameters": {
"motion_curve": "linear",
"physics_simulation": ["walking_gait_analysis", "shadow_transition", "dust_footsteps"],
"camera_movement": "Steadicam Follow into Darkness",
"lens_protocol": "35mm Anamorphic Lens",
"film_look": "Train to Busan Style - Cool Cyan & High Contrast"
},
"negative_prompt": "mutated hands, fused fingers, extra digits, missing fingers, bad anatomy, text, watermark, subtitle, logo, signature, frame border, cartoon, 3d render, illustration, happy expression, bright clean environment, modern furniture, cars, smartphones, soft lighting, dialogue caption, specific clothing color, specific clothing style, music, bgm."
}