{
"shot_number": "Shot_016",
"duration": "10s",
"audio_prompt": "[SFX]: 湿滑的皮肤和指甲剧烈刮擦水泥台阶的尖锐声响(Scraping concrete)，沉重且混乱的四肢奔跑声，喉咙中持续不断的低沉野兽咆哮，狭窄空间内的回声。
Strictly No Music
",
"prompt": "动态跟随
镜头(Dynamic Tracking Shot)。低角度广角仰拍(Low Angle Wide Shot)，强调速度感和混乱感。
镜头位于楼梯下方，紧紧跟随着领头的 `ROLE_厨师丧尸` (男性，体型肥硕，穿着沾满油污的白色厨师服) 的背影向上急速运动。`ROLE_厨师丧尸` 展现出完全非人的姿态，四肢着地，像一只巨大的蜘蛛般在狭窄陡峭的楼梯上疯狂攀爬(Frantic Scrambling)，指甲在水泥地上抓出火星。它油腻的厨师服在剧烈运动中疯狂甩动。紧随其后的是 `ROLE_女服务员丧尸` (身穿撕裂的蓝色马甲) 和 `ROLE_清洁工丧尸` (身穿灰色工装)，它们互相推搡挤压着涌上来，形成一股尸潮。
镜头的焦点始终锁定在前方高处楼梯尽头的 ROLE_@dwsmssuhao 身上。ROLE_@dwsmssuhao 处于画面的远端灭点，巍然不动，居高临下，手中的 `ROLE_@dwshjdadao` (合金大横刀) 斜指地面，冷冷地注视着下方急速逼近的威胁。狭窄幽闭的混凝土消防楼梯间(Claustrophobic Concrete Stairwell)。空间呈垂直结构，光线极度昏暗，仅依靠上方防火门缝隙透进的一束强光(God Ray)和墙角应急灯微弱的绿色荧光照明。墙壁上布满了喷射状的陈旧干涸黑血(Dried Blood Splatters)和抓痕。空气中弥漫着腐烂的恶臭和灰尘，漂浮着肉眼可见的霉菌粒子。台阶边缘磨损严重，散落着垃圾和断裂的拖把杆。影调延续《釜山行》风格：高对比度，阴影死黑，光照区呈现病态的惨白或幽绿，营造出极度的压抑感。",
"technical_parameters": {
"motion_curve": "accelerate_with_shake",
"physics_simulation": ["cloth_wind_drag", "quadrupedal_locomotion_physics", "motion_blur_trails", "dust_kickup"],
"camera_movement": "Steadicam Low Mode Tracking Upwards with handheld shake",
"lens_protocol": "20mm Wide Angle",
"film_look": "Train to Busan Style - Gritty & High Contrast"
},
"negative_prompt": "mutated hands, fused fingers, extra digits, missing fingers, bad anatomy, text, watermark, subtitle, logo, signature, frame border, cartoon, 3d render, illustration, happy expression, bright clean environment, modern furniture, cars, smartphones, soft lighting, dialogue caption, specific clothing color, specific clothing style, music, bgm, stiff animation, glitchy movement."
}