A restrained, cinematic **continuous shot** set in a small corporate interview room during daytime. Two young Asian men sit side by side at a narrow table, waiting. Across from them, an unseen interviewer speaks from offscreen. The conversation unfolds quietly over time: polite questions about “future plans,” a pause after a mention of a partner, a brief, uncomfortable silence. One of the men answers softly in **Mandarin Chinese**, measured and careful; the other listens, fingers interlaced too tightly. The interviewer’s tone remains courteous yet distant, subtly withdrawing—papers shuffled, a chair shifting, a glance toward the door. No overt confrontation. The emotional weight accumulates through restraint. The camera remains locked-off at eye level, observing without judgment. Cool daylight through blinds, muted colors, natural skin tones, shallow depth of field, subtle film grain. Youth drama, structural discrimination, queer vulnerability in professional space. Arthouse cinema aesthetic inspired by Shunji Iwai and *The Wedding Banquet*. No text, no music cues, no narration.