A restrained, cinematic **continuous shot** inside a small, quiet apartment in the early morning. One young Asian man carefully tends to the other, who sits on the edge of a bed, visibly exhausted and still recovering. The act of care unfolds slowly over time: wiping sweat from a forehead, adjusting a blanket, holding a cup of water steady until the other can drink. Their movements are gentle, almost habitual. Soft, fragmented dialogue in **Mandarin Chinese**—simple questions, quiet reassurance, pauses filled with breathing rather than words. The emotional bond is expressed through touch and patience: a hand lingering longer than necessary, a shoulder offered for support. The camera remains locked-off at a respectful distance, observing without emphasis. Pale morning light filters through thin curtains, muted colors, natural skin tones, shallow depth of field, subtle film grain. Youth drama, queer intimacy, care as resistance. Arthouse cinema aesthetic inspired by Shunji Iwai and *The Wedding Banquet*. No text, no music cues, no narration.