A restrained, cinematic **continuous shot** set on a quiet grassy field in the late afternoon. Two young Asian men sit close together, then gradually begin to play—pushing each other lightly, laughing under their breath, rolling once across the grass before settling again. Their movements are unguarded but brief, as if aware the moment will not last. The play unfolds naturally over time: shoes kicked off, grass clinging to sleeves, uneven breathing after laughter fades. Soft, casual dialogue in **Mandarin Chinese**, overlapping and incomplete, more sound than information. The camera remains locked-off at a slight distance, observing without chasing the action. Warm but muted daylight, gentle shadows, natural skin tones, shallow depth of field, subtle film grain. Youth drama, fleeting joy, queer intimacy as a temporary release. Arthouse cinema aesthetic inspired by Shunji Iwai and *The Wedding Banquet*. No text, no music cues, no narration.