Sora提示词：A poetic, dreamlike 2000s Shunji Iwai–inspired DV short.

A poetic, dreamlike 2000s Shunji Iwai–inspired DV short.
Soft blooming highlights, warm backlight, handheld intimacy. No dialogue, no readable text, no captions.

The amusement park appears in golden late-afternoon light, trembling through dreamy DV grain. A solitary figure wanders through the playground, half-lost, drifting like a fading memory.

The camera follows with gentle, uncertain steps. Childhood rides glow softly: a faded slide, peeling paint, plastic animals that seem to breathe with sunlight. Everything feels fragile, like a memory dissolving even as you watch it.

A few colorful ball-pit balls roll ahead on their own, leading the viewer inward. Their colors bloom into soft bokeh—melting into the warm lens flare.

They guide the camera to a carousel turning in slow motion.
A crystal ball rises in front of the lens, catching the sunlight, scattering it into trembling halos. As it nears, faint keyboard-like clicks echo—like someone writing in a forgotten diary.

In midair, thin luminous traces appear—delicate strokes of light resembling the feeling of handwritten words, but unreadable, fleeting, dissolving before they can be understood. They hold the emotional weight of thoughts about time, childhood, and tears flowing backward into the past—without ever forming literal text.

A close-up of the carousel horse's head glows in overexposed warmth, eyes shimmering like distant memory.

A soft whip-pan reveals a childhood train ride—figures shining as overexposed silhouettes, flickering like ghosts of happiness.

The silhouettes become brighter, trembling, then vanish into white—a memory overwhelmed by light.

The film ends on a soft, sudden cut to black, leaving only DV grain drifting like snow.